Siku girl takes a quick photo look-back to 2021

2021 is already three and a half months in the past but it’s taken me that long to process the year: personally, the past year brought big changes, the departure from my long-time job at Nunatsiaq News to a new role during the fall at CBC North. Not to overlook the August death of friend and former boss Jim Bell to cancer.

That being said I want to share some photos which capture some important landmarks.

Fist let’s talk a bit about Iqaluit’s water crisis, which isn’t over yet.

On Oct. 12 I looked out my window at CBC North’s office in Iqaluit and photographed people going in and out of the Arctic Ventures store to get water. A few minutes before we had received a city order not to consume any water from the tap. I took the photos at the top because somewhere in my head I was thinking the water situation could develop into a crisis, like any aircraft which makes an unannounced landing in Iqaluit. Soon we were getting water deliveries in bulk and bottles or from the river.

Within 10 days of the start of the water crisis, I started to develop a severe, now chronic, allergic response to over-chlorination (probably) that continues today and leaves me on heavy antihistamines and possible more treatment to come. I am sure others in Iqaluit have similarly suffered, as complaints about rashes surface on social media. I’ll look forward to learning more about the health impacts of the water on people like me.

Meanwhile there were meetings and a federal election to get through during the fall of 2021, along with cooler weather and shorter days.

So far I have been obliged to spend 2022 out of the North while I try to heal from the water’s impact and elude COVID.

Keep you posted on my next steps.

My best Arctic trips, Part 5

And so on this journey in 2006 from southeastern Finland to the top of Arctic Norway I ended up at Riddu Riddu, Norway’s annual Indigenous music and culture festival, about which I have written before here.

In 2020, there was no Riddu Riddu, due to the pandemic.

But when I went to Riddu Riddu in 2006, its program showcased everything from “polar ska,” “Ainu dub,” “tribal funk” to “ethno-futuristic rock” played by Indigenous groups from Norway, Russia, Japan, Brazil, Siberia, South Africa, Greenland and Alaska.

And, for me, it wasn’t so much a life-changing experience as a life-affirming one as late into the night I listened to music with new and old friends.

Ayarhaan, which means “the tribe of the creator” or, as Riddu Riddu’s program said, “girl power from Yakutia,” took the festival by surprise.

Ayarhaan’s wildly traditional music combined elements of of traditional throat singing and Jimmy Hendrix. Their home, Yakutia in central Siberia, is a place where temperatures range from -40 C in winter to 30 C in the summer, an extreme sort of place that produced their extreme version of throat singing.

“To survive you have to be strong, so you can hear the strength in the music,” said Albina Degtyareva, the group’s lead singer. “In Yakutia, you can feel and hear the power inside you.”

Her mouth harp, or “khomous,” looked like a pair of scissors with a metal tine sticking through the middle. Yakutians traditionally use the khomous, which was said to have been made by gods and possess a magical voice, to accompany their throat singing.

Ainu musician Oki Kano, below, performed a dub-like mix of the tonkori and double bass. His “Salmon Song” about returning to your roots is still on my playlist.

“I urge all indigenous youth to return to their villages,” Oki said before singing his wild “Salmon Song.”

“Many Japanese are supporting Ainu rights, and although there is more awareness, there is still racism. Racism exists on two levels, one is the everyday kind of racism at school, or say when Ainu want to marry a Japanese and the parents are opposed to it. The other level is on the government level.

“The government is very clever though, and makes the Ainu lifestyle the same as for Japanese, although Ainu have a lower income and standard of education. The government can then say they are supporting the Ainu, without giving us rights, such as fishing or land rights. So we have to do something, and that something is music,” said Kano in an online interview.

And award-winning singer and songwriter Maire Boine, below, who brought Saami yoik to another level, also performed. (BTW her album, one of my favourites, called Gula Gula, celebrates its 30th anniversary this year.)

And so it went on.  82-year old Ivvar-Niillas performed yoik… a Maori singer filled the stage…as did Pamyua from Alaska…

And then the show was over and it was time to travel south.

When I got back to Finland, the sun was already setting at night, summer was nearly finished and I went back to Canada.

If you missed the earlier parts of this best Arctic trip, you can read Part 1, Part 2, Part 3, Part 4.

And why did I write all this? Maybe to go beyond the restrictions of COVID-19 and to remember who I am?

My next best Arctic trip date may bring us to Greenland or Iceland…